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So I think to me the positive thing about it, the thing I’m sort of happy about is I feel we’ve been able to give the show a really good ending. We really have been able to, and often you don’t get that, and often you go, “No!” and, frankly, you allow the entire run of the show — every season there’s a chance the show wouldn’t come back — so every season I was like, especially last year, I was like, “Is this the ending?” Last year, I really wrote it as potentially an end to the series because I didn’t know whether it would come back this year.
But I do feel that the positive side of knowing that you’re coming to an end, you’re doing the last season, and we knew that from day one in the writer’s room, that really gives you an opportunity to write toward an ending, write it in a different way than we have. From day one I sort of approached it from a different way than I had in previous seasons because I did feel that we wanted to from the beginning, kind of give the show a great ending, That was sort of our goal all along. So, it’s bittersweet but I feel good in that I think we’re giving the show the ending it deserves.
In talking about the show and her figuring out the characters and her world and what it was going to be, it lent itself to a stage show and I think it had to do with the fact that she’s a playwright and I originally started writing plays as well, so we’re both really sort of drawn to that. So it was less about the format as it was about the idea lending itself to be something that’s going to be done on stage and we think and we hope will do very well with a live audience. It seemed like it was the best way to realize this particular idea.
What’s great — with “Friday Night Lights” in particular and “Parenthood” as well — is we’re in a [new] world now. You know, my 13-year-old daughter is watching shows that have been of the air for a while. Now she’s watching “Desperate Housewives” and has been catching up on all of these shows: “Lost,” “[Law and Order] SVU,” “Gossip Girl.” What’s great is that I keep hearing from people who are discovering “Friday Night Lights” because of streaming and Netflix and Hulu and all of these things. Somehow… things don’t get old as fast as they used to. They stay vibrant. People prefer, I know I would prefer, watching a show after it’s been on for a while so you can binge-watch it and you can have control over it. So it’s great, it’s a really cool thing.
I remember when I first starting working on “Friday Night Lights,” my kids were in elementary school at the time and I remember I kept talking about the show and I remember talking to moms, like, in the pick-up line or drop-off line encouraging them to watch the show saying, “You’re actually really going to like the show. Even though you don’t like football, you’re going to like the show.” And I remember them looking at me with these blank stares like I was an insane person. Like, “Why would I want to watch a show about a high school football team in Texas?” But to my great satisfaction, as the years go by I’ve met so many women who have come up to me and said “I never thought I would like this show. I’ve never had any interest in football, and I love the show.”
So it’s such a cool thing in terms of writing television now that the shows can have an afterlife and the shows can kind of live on in this way and it’s a great thing. And it’s not only creatively a great thing and satisfying for like a writer, an actor, a director to know that people keep finding the shows — just like people come back and watch movies again years later. It’s always going to happen — but also I think it’s been great for TV. Because of streaming, serialized television has become less of a dirty word when you’re pitching shows. I had to fight for that for so long as someone who’s always gravitated towards ongoing story lines with characters that evolved and changed and storylines that continued over longer arcs. That always used to be such a battle to tell those stories. But now it’s sort of like people encourage it because it’s not a barrier anymore to people watching the show. You never have to feel like, “Oh I missed the boat on a show” because you can catch up any time.
“Parenthood” begins its final season tonight, Thursday, September 25 at 10pm on NBC.
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