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Although the percentage of false reports is very low, institutions are reluctant to believe victims and “The Hunting Ground” reveals the ulterior motives for this hesitation to punish or expel a perpetrator; they almost all have to do with money. Fraternity men are three times more likely to commit rape than other college men, but in 2013, 60 percent of donations to universities came from fraternity alumni. Student athletes are responsible for 19 percent of sexual assaults, but student athletes also bring an enormous influx of cash and acclaim to their schools. Sports players are treated like celebrities. They can get away with anything. The majority of rapists are repeat offenders (committing an average of six assaults each), but these predators are commonly allowed to remain on campus, even after they are proven guilty. Victims have to see the person who raped them every day, in class or around the dorms.
Kids leave for college fresh-faced and filled with hope for having new adventures and making new friends, not realizing the possible danger that awaits them. “The Hunting Ground” forces audiences to look into the trembling, tear-stained faces of these victims, many of whom now suffer from PTSD, nightmares and depression. In emotional interviews, rape survivors and their families tell their heart-breaking stories. Two key players in “The Hunting Ground” are Andrea (Dre) Pino and Annie Clark, brave college students and survivors themselves who figured out an ingenious legal strategy to fight back, filing a Title IX anti-discrimination complaint against their school. Clark and Pino went on to found the nationwide organization End Rape on Campus, sparking a national debate over campus assaults and creating a supportive network for young women. These issues are finally at the forefront of our country’s consciousness (everyone has heard about Emma Sulkowicz a.k.a. “Mattress Girl,” who carries a mattress at Columbia University as long as her rapist remains on campus). Dick and Ziering have crafted a powerful personal narrative, putting names and faces to the broader social justice issues that plague so many, in a desperate bid to expose these startling truths to the world.
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