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Both Diane Keaton and Michael Douglas have been in some fantastic films and played some wonderful roles. Sadly, they’ve also been in some pretty terrible ones as well. The atrocious “Because I Said So” comes to mind for Keaton. Also, remember how Douglas was in “Ghost of Girlfriends Past”? Yeah, we tried to forget that one too.
The duo’s latest foray into the realm of the terrible is “And So it Goes,” a movie so bad that we at Indiewire just couldn’t take it anymore and walked out halfway through. The fate of excellent actors subjecting themselves to terrible movies will always be a disappointment; even more disappointing is the fact that this film was directed by Rob Reiner, an excellent director in his own right.
But Douglas and Keaton aren’t the only ones who’ve wasted their talents. Here’s a list of 11 actors whose careers could use an indie intervention. Let us know who you else think needs to take a dip into independent fare in the comments. Perhaps Reiner and some other directors need an intervention too?
You would think that a veteran theater actor would be more inclined to choose film projects that are more suited to her enormous talent. The Tony winner broke into film in the 90s, but didn’t turn heads until her Academy Award nominated performance in 2008’s “Doubt.” Then, in 2011, Davis wowed critics and audiences once again with her Oscar nominated performance in “The Help.” Since then, however, she’s opted for smaller roles in larger yet mediocre studio pictures like “Ender’s Game,” “Beautiful Creatures” and “Extremely Loud & Incredibly Close.” But rather than receive an indie intervention, Davis is doing what many smart and incredibly talented film actors have done recently: turning to television. This fall, Davis will star in Shonda Rhimes’ legal thriller “How to Get Away with Murder” as a criminal defense professor. Despite the fact that Davis has opted for a television intervention on a series that will most likely be a success, we’d still love to see her take on some indie roles that are worthy of her talent.
After earning a ton of respect for her supporting turn in “Bridesmaids” — it’s easy to forget that the role earned her an Oscar nomination — McCarthy has largely squandered that good will on projects as disappointing as they are predictably bad. “Identity Thief” was universally trashed and “Tammy” didn’t bring her back to the good graces of most critics (even if it was a marked improvement). Her films still make money — “Tammy” is at $73 million and counting, a lower number than anticipated but a solid result for a one-woman show — but McCarthy has potential for so much more. Perhaps she should follow the path of her “Bridesmaids” co-star Kristen Wiig, who has dipped into dramatic roles like “Girl Most Likely” as well as off-kilter indies (“Hateship Loveship”) while still showing up for the well-written blockbusters “Despicable Me 2,” “The Secret Life of Walter Mitty” and “How to Train Your Dragon 2.” McCarthy could do that, too, and then some. But perhaps she needs to free herself of that TV show, first.
[Casey Cipriani, Eric Eidelstein, Shipra Gupta, Brandon Latham, Liz Shannon Miller and Ben Travers contributed to this list.]
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