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In the ’50s-set love story, based on Patricia Highsmith’s novel “The Price of Salt,” Blanchett plays Carol, a wealthy housewife stuck in a loveless marriage. While out Christmas shopping, Carol locks eyes with Therese (Mara), a timid department store clerk, and it’s love at first sight. What unfolds is, as Indiewire’ Eric Kohn put it in his glowing review, “a mannered, classical romance.”
I sat down with Haynes, Blanchett and Mara to discuss the overwhelmingly positive reception to the film and the making of it. Watch the full interview above, and read an edited version of our discussion below.
What was it like for you, Cate?
I knew Todd had made a beautiful film, and Rooney was amazing in it, but still you never know whether it’s going to deeply connect with people who haven’t been a part of the process, and for that to happen was a big relief.
Todd, what did you learn about your own film after watching it with an audience for the first time?
About the silences, those are what I responded to most emotionally, especially in the film’s closing moments. Can you talk about your choice of imbuing the film with so many of those moments. I don’t recall any line of dialogue, except for, “I love you.”
Rooney, what was it like to play those silent beats?
This is a film that lives or dies on the chemistry between its two leads. Now Cate, I know you were attached to the project before Todd came on. Todd, how did you go about choosing Rooney as her partner? How did you know they’d work out?
CB: He just prayed [laughs].
So it was there from the first read through?
Well, it works.
I love what Carol says about Therese in the film. What is the line?
When I walked out of the film everyone who commented on your performance said how you embodied that —
The film has the look of an old studio picture, but it’s an indie film, much like “Far From Heaven.” I’m guessing you had more money to work with on “Mildred Pierce,” given it’s HBO. What was it like going back to the struggle of getting “Carol” financed and made?
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