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By its very nature, documentary filmmaking is tricky business. Directors are dependent on their subjects, they can’t control those subjects, chances are they aren’t being paid a living wage to follow around said subjects and, at the end of shooting, they have tens (sometimes hundreds) hours of footage and no script to guide them in editing a cohesive narrative about their subjects.
Yet, some of the most exciting and cinematic storytelling at this year’s Sundance is coming from the nonficiton categories, so we asked the documentarians in Park City how they overcame the biggest challenges they faced in making these remarkable films.
“The biggest challenge with ‘Nuts!’ was that my entire approach to the film rested on one central gambit with an extremely high likelihood of failure. For many years, I had to continue toiling on the film with the constant nagging awareness that it just might not work. I’m happy to say now that it did, but it was a far from sure bet.” -Penny Lane, “Nuts!”
“Life stories are hard, especially when your subject is alive and is one of the biggest rock star celebrities in Japan. Yoshiki is in complete control of his creative world — from the songs he writes and produces, to every facet of his live show, his multiple side-projects and business endeavors, and of course his image. So the challenge was: how do I make a film in my voice and vision while honoring the vision of my subject? We were about 35 weeks into the edit before I showed him anything, so it was pretty nerve-wracking. I had to be able to stand behind the cut creatively and not feel compromised. The happy ending to all this is that he loved what he saw. His input and notes have been extremely constructive. I was not expecting that at all.” -Stephen Kijak, “We Are X”
“Dealing with a lot of people who were absolutely terrified of talking. Being from New Zealand, I was just a strange voice suddenly getting in contact with them — hoping they would be kind enough to open up and share for this film. For many that came totally out of the blue. Trust was a huge issue. Finally gaining it was a huge reward. -David Farrier, “Tickled”
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