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According to Edralin, aside from building up a varied body of work, the appeal of making short features for many emerging filmmakers is the opportunity to explore and develop their artistic voice. “It can be really dangerous to start with a feature,” said the native Torontonian. “If you fail at a first feature, it can be hard to recover.” An added plus: audiences tend to be more forgiving of a shaky short film and more willing to judge the final product based on potential and growing talent.
“I felt really wonderful leaving the theatre,” said director Rachel McDonald on the premiere of her Melanie Griffith-starring “Thirst.” “I received some beautiful compliments afterwards. The fact that my film resonated with women and men from a variety of age groups was very touching,” added McDonald.
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