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In 2007, the Art House Convergence began as a place for specialty film exhibitors, distributors, and film festival directors to strategize against the issues of the moment. Back then, it was the looming specter of digital conversion, which questioned the viability of many participating organizations. Not only did the vast majority of theaters survive, but also 35mm projection and repertory programming also proved sustainable.
Ten years later, the 2017 Art House Convergence was bigger than ever. Held in Midway, Utah, over the three days before the Sundance Film Festival, the Convergence remains a place where the love of cinema is physically tangible, where the oft-spoken phrase “film community” is meant without cynicism. It’s also a deeply practical opportunity for more than 600 film exhibitors, distributors, and film festival directors to spend four days assessing the challenges of American independent film exhibition and what they can do to make it work. Thankfully, the organization is better equipped than ever to meet these challenges head on; here’s what that looks like.
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