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READ MORE: A Glistening Dan Stevens Emerges from the Shower in New Clip from ‘The Guest’
Fortunately for us, we got to sit down with the actor, who spoke candidly about the risks he took leaving the show, going from period piece-y heartthrob to coldblooded American sex fiend in “The Guest” and his unexpected stint on the beloved stoner web series “High Maintenance.”
Tell me a bit about what drew you to the “The Guest.”
Yes, there’s definitely something nostalgic about it.
It’s not really referencing anything specifically. I mean there’s a couple bits and pieces here and there, but that’s just for fun. We’re not excluding anybody for not having seen “Halloween III.” But if you have seen “Halloween III,” you’ll dig this movie. If you haven’t, well, the script alone reminded me of a ton of action thrillers growing up.
And your accent. How did you manage that?
I’ve always enjoyed accents and voices and I’ve always hoped that I would be able to sort of use that in some way in an onscreen role. I worked a bit with a dialect coach and some source material. I have a great friend who is from Kentucky and I wanted this sort of vague Kentucky vibe that was processed through a sort of military dialect. So I had my friend record the Gettysburg Address in his beautiful Kentucky dialect. So I have all of these sort of accents and consonants and vowels from that. And it’s quite a good thing actually. If you get people from different regions in America to read the Gettysburg Address and you hear these sort of nuances. It’s quite handy.
You spoke a little bit about the physical demands of the role, coming from a more consistent place physically with “Downton Abbey” and going to something where you are constantly gaining weight and losing weight. How has that been for you as an experience?
It’s been interesting to apply that same rigor to the physicality, as I had to with the psychological, sort of literary preparations that I usually go for. To sort of read around about special-op soldiers is very interesting, is very useful, but it doesn’t get you in the shape required to play this guy. It certainly feeds the imagination, but you also need to put some work in at the gym if you’re going to get there. And I think they’re both important. This is something that I have been delighted in learning in the last couple of years.
What do you miss most about the show?
Probably. Would you say that “The Guest” is the epitome of what you wanted to do by leaving “Downton?”
Yeah. It was very safe and that was part of the thing really. I wanted to do at least one reckless thing before my kids grew up. And my wife was very much behind it and we felt up for the adventure, really. So, yeah. And it has been an extraordinary couple of years, just getting to explore a range and trying a bunch of different things. And I genuinely don’t know what will be next in terms of — again — I’m not going to sit you down and say, “This is the kind of movie I want to do,” because I genuinely don’t know what will be landing on my desk tomorrow. But we certainly got a few things coming out. Some of which I can talk about, some of which I can’t. But there are a few twists and turns.
And do you have any interest in getting back into TV at all?
Of course. Yeah. It’s become a quite awesome medium now in a way that didn’t — it’s definitely evolved in the last 10 years. “Downton” was the first time I had done a long running thing like that. And it was an interesting lesson in itself. I’m really enjoying this sort of intense burst of focus that each feature affords me. But if the right thing came along, definitely. I’m really into “BoJack Horesman” at the moment. Have you seen that? It’s really good.
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