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Thursday night previews for “The Boss” took in just under $1 million, below two of McCarthy recent output, but double her first solo lead outing “Identity Thief.” That February 2013 release went on to gross $34 million on its first weekend. With new McCarthy vehicles a regular event, “The Boss” lacks the thrill of the new that boosted “Identity,” so anything close to that take would be a surprise. But somewhere between $25-30 million could be enough to land it the top spot.
McCarthy’s comedy foil is Kristen Bell, who other than her “Frozen” voice role hasn’t shown much box office strength. But her clean image as a former assistant who helps to humanize her tyrannical ex-boss could add appeal (playing a similar role to Anne Hathaway’s in “The Devil Wore Prada”). Peter Dinklage (“Game of Thrones”) plays McCarthy’s arch-rival and ex-boyfriend. Throw in Universal’s usual ability to maximize marketing and a less-competitive play date, and the outlook looks upbeat for a strong opening.
Through Tuesday, “BvS” had taken in $268 million, huge for 12 days, but likely the bulk of its ultimate total. Based on weekday grosses, $20 million or even lower (more than 60%) is possible. “BvS” grossed $2.7 million on Thursday. Based on usual third weekend multiples from a second Thursday with most theaters holding, “BvS” should do somewhere around $24 million. If it tops that by much, and “The Boss” hits the low end of expectations, it could still eke out a “win.”
Even with a 3,000-plus theater release and a clear field, the offbeat nature of this first feature and lack of big names makes guessing its take more difficult. Figure $10 million or more to be quite good, but like “The Gift” and “The Boy,” word of mouth could help sustain a better than average longer run. And with less than normal marketing expenditures and international rights, the upside seems to be positive for STX even if it opens a bit lower. Its late evening previews brought in $380,000.
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