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“Nowadays, previs (previsualization) is leveraged heavily before films are shot, techvis, onset compositing and realtime visual effects feedback are all becoming more commonplace during a shoot, and with films like ‘Guardians’ being almost 90% visual effects, the supervisors are having to learn to work with more and more departments, and to be a deeper and more integrated part of the overall filmmaking process,” Kyle Mcculloch, who worked as the Visual Effects Supervisor on the film, told Indiewire.
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