By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply.
You’ve been to North Korea three times. Did you have the idea for the film before you went there or did your visits inspire you?
I’m different from the journalists in the sense that, they need to get something, they have a ready story, they go out and look for it, and then they come back and just put together what, I’m assuming, they already had in mind. Whereas I’m interested in discovery. It’s also kind of a poetic process, where the piece itself finds its own core. I didn’t know how the piece was going to come together at the beginning, but I also knew what I didn’t want to do.
What didn’t you want to do?
I’ve looked at a lot of the documentaries about North Korea and it’s kind of upsetting to watch them. I found them to be very one-sided, and they didn’t actually reveal anything about North Korea beyond what we already knew: it’s a terrible place, people are under this terrible tight grip of the regime, and they are poor and brainwashed and so forth. The tone of these documentaries is almost racist, looking down on them and making fun of them. They’re basically presenting the freaks, ‘look at these people’, and they are incredulous that they are like that. And, maybe because I grew up in Korea, I had a gut feeling that it can’t be all that.
How is North Korea represented in South Korea?
Terribly. The propaganda is intense on both sides…Growing up, North Korea under the communists was vilified. We heard terrible stories, kind of like the paintings you see in the film with the atrocities of the American regime. Each side has an image of the other like that. Both South Koreans and North Koreans are pictured literally with horns.
READ MORE: Review of North Korean Diary Film “Songs From the North”
Do you feel you have a responsibility for these people?
I didn’t know what to expect, what’s going to happen to me when I try to shoot this and that. It’s not a constant visible threat, but the aura is there. The first shot you mentioned, that was from a performance of Arirang. A hundred thousand people in a stadium shouting, it’s an unbelievable spectacle. It’s the best and possibly the worst spectacle you’ll ever see. Because it’s so good, so perfect, that it makes you freak out. Because human beings can’t do that, can’t all of them line up like that and do all those things. It’s impossible but they’re doing it. It really overwhelms you. I was trying to shoot but I got constantly hassled. I had brought a zoom lens, and as soon as I start to shoot, the person in charge of me turns to me and says the people up there are telling him to stop the woman in the black t-shirt with the zoom lens. As for the amusement park scene, the guy in charge of me dared me to go up there. I am afraid of these machines but I couldn’t say no. But then, it took me a long time to figure out how to use that footage.
By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services. This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply.