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Plenty of movies that started at this year’s Cannes Film Festival without U.S. distribution eventually found it: Sony Pictures Classics landed one of the favorites of the competition with “Toni Erdmann,” expected to be a foreign language player in the Oscar race, and the company also nabbed the Studio Ghibli-produced “The Red Turtle.” Strand Releasing picked up Alain Giraudie’s eccentric character study “Staying Vertical,” while IFC Films got the Palme d’Or-winning “I, Daniel Blake.”
READ MORE: The 2016 Indiewire Cannes Bible
But there were many other highlights from the program that remain without a distributor. Cannes isn’t always the easiest place for smaller, stranger films to find buyers, but they still exist once the festival ends and deserve to find homes. Here are some of the highlights in that regard.
Starring the legendary Jean-Pierre Leaud as France’s beleaguered king, who died from gangrene in 1715, Albert Serra’s engrossing followup to inventive Casanova drama “The Story of My Death” maintains a clinical air as it tracks the regal character slowly fading from existence. While the king’s closest advisors swirl around him, speaking in frantic, whispered tones about their options, “The Death of Louis XIV” evolves into a nuanced treatise on the aimlessness of wealth and power in the face of mortality.
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“I’m not healthy,” says the grief-stricken father, asking the doctor for some medicinal marijuana. “You’re not sick, either,” she replies. It’s a quick exchange in Israeli writer-director Asaph Polonsky’s droll debut, typical of his movie’s mordant sense of humor, but the moment leaves its mark — seldom has dialogue so succinctly articulated the purgatory of profound loss.
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READ MORE: Cannes 2016 Film Acquisition Roundup: Every Deal Coming Out Of The Film Festival
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