<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>IndieWire</title>
	<atom:link href="https://www.indiewire.com/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.indiewire.com</link>
	<description>The Voice of Creative Independence</description>
	<lastBuildDate>Wed, 24 Jun 2026 19:10:59 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>https://www.indiewire.com/wp-content/uploads/2018/04/cropped-iw_favicon.png?w=32</url>
	<title>IndieWire</title>
	<link>https://www.indiewire.com</link>
	<width>32</width>
	<height>32</height>
</image> 
<site xmlns="com-wordpress:feed-additions:1">112084106</site>	<item>
		<title>Carla Simón Turned Her Family’s Deepest Tragedy Into Her Most Personal Film Yet</title>
		<link>https://www.indiewire.com/features/interviews/romeria-carla-simon-interview-1235201606/</link>
		
		<dc:creator><![CDATA[Ryan Lattanzio]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 21:00:00 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Interviews | Celebrity Interviews & Insider Takes]]></category>
		<category><![CDATA[Carla Simón]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Romeria]]></category>
		<guid isPermaLink="false">https://www.indiewire.com/?p=1235201606</guid>

					<description><![CDATA[The Spanish filmmaker tells IndieWire about her latest movie memoir, "Romería," partly a fictionalized retelling of how her parents' romance and tragic death, which premiered at Cannes 2025 and finally opens in stateside theaters this weekend.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235201606</post-id>	</item>
		<item>
		<title>What the Success of &#8217;28 Weeks Later&#8217; Meant for an &#8216;Indiewood&#8217; Still Finding Its Footing</title>
		<link>https://www.indiewire.com/features/general/success-of-28-weeks-later-indiewood-book-excerpt-1235201122/</link>
		
		<dc:creator><![CDATA[Kate Erbland]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 20:00:00 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[28 Days Later]]></category>
		<category><![CDATA[Book Excerpt]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Thomas Schatz]]></category>
		<guid isPermaLink="false">https://www.indiewire.com/?p=1235201122</guid>

					<description><![CDATA[Exclusive: Thomas Schatz's latest book, "Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah," examines a period of seismic change in the studio system, one in which an indie ethos permeated.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235201122</post-id>	</item>
		<item>
		<title>Cannes 2026 Movies Sold So Far: Manuela Martelli Mystery &#8216;The Meltdown&#8217; Acquired by Kino Lorber</title>
		<link>https://www.indiewire.com/news/festivals/cannes-2026-movies-sold-so-far-paper-tiger-minotaur-1235191174/</link>
		
		<dc:creator><![CDATA[Brian Welk]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 19:03:57 +0000</pubDate>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Cannes]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Neon]]></category>
		<guid isPermaLink="false">https://www.indiewire.com/?p=1235191174</guid>

					<description><![CDATA[The film that premiered in Un Certain Regard will be released theatrically in early 2027. ]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235191174</post-id>	</item>
		<item>
		<title>After Alamo Drafthouse, Sony Pictures Takes $100 Million Stake in Immersive Dome Theaters Cosm</title>
		<link>https://www.indiewire.com/news/business/sony-pictures-100-million-stake-cosm-1235202073/</link>
		
		<dc:creator><![CDATA[Brian Welk]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 18:42:20 +0000</pubDate>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Cosm]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Sony Pictures]]></category>
		<guid isPermaLink="false">https://www.indiewire.com/?p=1235202073</guid>

					<description><![CDATA[The experiential space has been used for live sports, concerts, and special formats of "The Matrix" and "Harry Potter" in a way that's akin to Las Vegas' Sphere. ]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235202073</post-id>	</item>
		<item>
		<title>Academy Invites 529 New Members, Including the Safdie Brothers, Teyana Taylor, Jacob Elordi, Josh O&#8217;Connor, Mia Goth, and More</title>
		<link>https://www.indiewire.com/awards/industry/ampas-2026-new-member-invites-1235202055/</link>
		
		<dc:creator><![CDATA[Anne Thompson]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 18:30:00 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[The Academy of Motion Picture Arts and Sciences]]></category>
		<guid isPermaLink="false">https://www.indiewire.com/?p=1235202055</guid>

					<description><![CDATA[As usual, many of this year's newly-invited class are recent Oscar winners (21, in fact).]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235202055</post-id>	</item>
		<item>
		<title>Olivia Wilde Fought for a Theatrical Release for ‘The Invite’ — and Against the Idea That Comedies Belong on Streaming</title>
		<link>https://www.indiewire.com/features/interviews/the-invite-olivia-wilde-rejected-netflix-1235201797/</link>
		
		<dc:creator><![CDATA[Chris O'Falt]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 18:00:00 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Interviews | Celebrity Interviews & Insider Takes]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Filmmaker Toolkit Podcast]]></category>
		<category><![CDATA[Olivia Wilde]]></category>
		<category><![CDATA[Seth Rogen]]></category>
		<category><![CDATA[The Invite]]></category>
		<guid isPermaLink="false">https://www.indiewire.com/?p=1235201797</guid>

					<description><![CDATA[Wilde tells IndieWire why unspoken tension is so funny, on breaking during Seth Rogen’s dirty improv, passing on Netflix, and why "The Invite" couldn't be a studio film.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235201797</post-id>	</item>
		<item>
		<title>You Can&#8217;t Choose a Road Until You&#8217;ve Chosen a Destination</title>
		<link>https://www.indiewire.com/features/commentary/choose-destination-before-road-producers-path-1235202042/</link>
		
		<dc:creator><![CDATA[Christian Zilko]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 17:30:00 +0000</pubDate>
				<category><![CDATA[Commentary]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[A Producer's Path]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Future of Filmmaking]]></category>
		<guid isPermaLink="false">https://www.indiewire.com/?p=1235202042</guid>

					<description><![CDATA[Before you take the first offer in front of you, consider whether it actually leads your film towards your desired outcome.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235202042</post-id>	</item>
		<item>
		<title>Inside the Making of &#8216;The Other Bennet Sister&#8217; Finale and a Romantic Conclusion Worthy of Its Heroine</title>
		<link>https://www.indiewire.com/features/interviews/the-other-bennet-sister-finale-spoilers-interview-1235201596/</link>
		
		<dc:creator><![CDATA[Kate Erbland]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 17:00:00 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Interviews | Celebrity Interviews & Insider Takes]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Sarah Quintrell]]></category>
		<category><![CDATA[The Other Bennet Sister]]></category>
		<category><![CDATA[TV]]></category>
		<guid isPermaLink="false">https://www.indiewire.com/?p=1235201596</guid>

					<description><![CDATA[For the show's creator Sarah Quintrell, writing romance can be a struggle. But to give our beloved Bennet sister her own happy ending, the writer dug deep to craft something funny, true, and <em>totally</em> Mary.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235201596</post-id>	</item>
		<item>
		<title>&#8216;Supergirl&#8217; Review: Superman&#8217;s Sardonic Kid Cousin Blazes Her Own Way in a Grimy, Small-Scale Adventure</title>
		<link>https://www.indiewire.com/criticism/movies/supergirl-2026-movie-review-superman-milly-alcock-1235201447/</link>
		
		<dc:creator><![CDATA[Kate Erbland]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 16:00:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Craig Gillespie]]></category>
		<category><![CDATA[DCEU]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Milly Alcock]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Supergirl]]></category>
		<guid isPermaLink="false">https://www.indiewire.com/?p=1235201447</guid>

					<description><![CDATA[Milly Alcock is a delight in a film that’s not at all beholden to fitting the Superman mold (or tone). That's mostly a compliment.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235201447</post-id>	</item>
		<item>
		<title>Indie Specialized Box Office Chart: &#8216;Maddie&#8217;s Secret&#8217; from John Early Sets Record Opening for Magnolia</title>
		<link>https://www.indiewire.com/news/box-office/specialized-box-office-maddies-secret-sets-record-magnolia-1235201816/</link>
		
		<dc:creator><![CDATA[Brian Welk]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 15:30:00 +0000</pubDate>
				<category><![CDATA[Box Office]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[John Early]]></category>
		<category><![CDATA[Maddie&#039;s Secret]]></category>
		<category><![CDATA[Magnolia]]></category>
		<guid isPermaLink="false">https://www.indiewire.com/?p=1235201816</guid>

					<description><![CDATA[The comedy directed by and starring Early as a female food influencer was IFC Center's biggest opening in more than two years and made $58,206 from a single screen. ]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235201816</post-id>	</item>
		<item>
		<title>&#8216;Life, Larry, and the Pursuit of Unhappiness&#8217; Is Pretty, Pretty Bad — and I Loved It</title>
		<link>https://www.indiewire.com/criticism/shows/larry-david-hbo-show-review-life-larry-pursuit-unhappiness-1235201870/</link>
		
		<dc:creator><![CDATA[Ben Travers]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 15:00:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Shows]]></category>
		<category><![CDATA[HBO]]></category>
		<category><![CDATA[Larry David]]></category>
		<category><![CDATA[Life Larry and the Pursuit of Unhappiness]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TV]]></category>
		<guid isPermaLink="false">https://www.indiewire.com/?p=1235201870</guid>

					<description><![CDATA[Iconic curmudgeon Larry David celebrates our nation's 250th anniversary in an HBO sketch show that rehashes American history through his distinct lens. But amid a parade of recycled jokes and celebrity guests, the "Curb" star's unique blend of pettiness and perception make for a revealing portrait of an oft-ridiculous country.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235201870</post-id>	</item>
		<item>
		<title>‘The Other Bennet Sister’ Is Getting a Three-Part Christmas Special</title>
		<link>https://www.indiewire.com/news/breaking-news/the-other-bennet-sister-three-part-christmas-special-1235201950/</link>
		
		<dc:creator><![CDATA[Kate Erbland]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 15:00:00 +0000</pubDate>
				<category><![CDATA[Breaking News]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[BBC]]></category>
		<category><![CDATA[BritBox]]></category>
		<category><![CDATA[The Other Bennet Sister]]></category>
		<category><![CDATA[TV]]></category>
		<guid isPermaLink="false">https://www.indiewire.com/?p=1235201950</guid>

					<description><![CDATA[Just as the BBC and BritBox smash hit rolls out its finale in the U.S., fans can start preparing for a very merry (Mary?) holiday treat. Producer Jane Tranter tells IndieWire what we might expect.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235201950</post-id>	</item>
	</channel>
</rss>
