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		<title>indieWIRE News</title>
		<link>http://www.indiewire.com/</link>
		<description>Recent news from indieWIRE</description>
		<language>en</language>
		<lastBuildDate>Sat, 07 Nov 2009 13:32:14 -0500</lastBuildDate>
		
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			<title>Box Office: “Precious” Soars On Opening Night; Averages $32K</title>
						<link>http://fb.indiewire.com/~r/indieWIRENews/~3/fjD0pUpDRrE/</link>	
			<guid isPermaLink="false">http://www.indiewire.com/article/box_office_precious_soars_on_opening_night_averages_32k/</guid>
			<description>Anyone skeptical of the box office power of Lee Daniels’ “Precious: Based on the novel ‘Push’ by Sapphire” should brace themselves.&amp;nbsp; Last night, on 18 theaters in New York, Chicago, Los Angeles and Atlanta, the film took in $585,000, finding a first day average of $32,500, according to distributor Lionsgate. The film sold out most of its shows, having to add prints to make up for the demand.&amp;nbsp; Even with a …&lt;div class="feedflare"&gt;
&lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=fjD0pUpDRrE:4EKGWwrbMfw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=fjD0pUpDRrE:4EKGWwrbMfw:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=fjD0pUpDRrE:4EKGWwrbMfw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=fjD0pUpDRrE:4EKGWwrbMfw:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=fjD0pUpDRrE:4EKGWwrbMfw:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=fjD0pUpDRrE:4EKGWwrbMfw:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=fjD0pUpDRrE:4EKGWwrbMfw:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
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						<pubDate>Sat, 07 Nov 2009 17:38:48 +0000</pubDate>
		<feedburner:origLink>http://www.indiewire.com/article/box_office_precious_soars_on_opening_night_averages_32k/</feedburner:origLink></item>
		
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			<title>Audiard’s “A Prophet” Leads European Film Award Noms</title>
						<link>http://fb.indiewire.com/~r/indieWIRENews/~3/gZImlOZiX-I/</link>	
			<guid isPermaLink="false">http://www.indiewire.com/article/audiards_a_prophet_leads_european_film_award_noms/</guid>
			<description>Six films are vying for the prize for best European Film of 2009 at the European Film Awards. Competing for the prize are Andrea Arnold’s “Fish Tank,” Tomas Alfredson’s “Let the Right One in,” Jacques Audiard’s “The Prophet,” Stephen Daldry’s “The Reader,” Danny Boyle’s “Slumdog Millionaire,” and Michael Haneke’s “The White Ribbon.” Jacques Audiard’s “The Prophet” lead the EFA’s with six nominations, including best European Film, best director (Jacques Audiard), best …&lt;div class="feedflare"&gt;
&lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=gZImlOZiX-I:aZh8iLLF_LQ:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=gZImlOZiX-I:aZh8iLLF_LQ:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=gZImlOZiX-I:aZh8iLLF_LQ:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=gZImlOZiX-I:aZh8iLLF_LQ:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=gZImlOZiX-I:aZh8iLLF_LQ:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=gZImlOZiX-I:aZh8iLLF_LQ:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=gZImlOZiX-I:aZh8iLLF_LQ:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
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						<pubDate>Sat, 07 Nov 2009 16:41:27 +0000</pubDate>
		<feedburner:origLink>http://www.indiewire.com/article/audiards_a_prophet_leads_european_film_award_noms/</feedburner:origLink></item>
		
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			<title>“Collapse” Director Chris Smith: “It was all an attempt to get the audience inside Michael’s head.”</title>
						<link>http://fb.indiewire.com/~r/indieWIRENews/~3/AllqR0UcO4Y/</link>	
			<guid isPermaLink="false">http://www.indiewire.com/article/collapse_director_chris_smith/</guid>
			<description>Chris Smith’s “Collapse” is a feature-length interview with conspiracy theorist Michael Ruppert, a man whose ideas are often as scary as they are true.&amp;nbsp; For many, Ruppert is saying what the rest of us are too afraid to think about.&amp;nbsp; From the financial crisis, to international politics and global warming, Ruppert is candid about his apocalyptic view on humanity and the world.&amp;nbsp; The film became an instant water cooler hit at …&lt;div class="feedflare"&gt;
&lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=AllqR0UcO4Y:rDctO-M7vbY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=AllqR0UcO4Y:rDctO-M7vbY:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=AllqR0UcO4Y:rDctO-M7vbY:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=AllqR0UcO4Y:rDctO-M7vbY:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=AllqR0UcO4Y:rDctO-M7vbY:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=AllqR0UcO4Y:rDctO-M7vbY:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=AllqR0UcO4Y:rDctO-M7vbY:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/indieWIRENews/~4/AllqR0UcO4Y" height="1" width="1"/&gt;</description>
						<pubDate>Fri, 06 Nov 2009 20:23:06 +0000</pubDate>
		<feedburner:origLink>http://www.indiewire.com/article/collapse_director_chris_smith/</feedburner:origLink></item>
		
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			<title>cinemadaily | “Precious” Polarizes</title>
						<link>http://fb.indiewire.com/~r/indieWIRENews/~3/Oma6MF8XWac/</link>	
			<guid isPermaLink="false">http://www.indiewire.com/article/cinemadaily_precious_polarizes/</guid>
			<description>“‘Precious’ is a hybrid, a mash-up that might have been ungainly, but that manages to be graceful instead,” writes the New York Times’ A.O. Scott. “It’s partly a bootstrap drama of resilience and redemption, complete with a hardworking teacher wrangling a classroom full of disadvantaged girls. It’s also the nearly Gothic story of a child tormented by the cruelty of adults, as lurid as a Victorian potboiler or a modern-day tell-all …&lt;div class="feedflare"&gt;
&lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=Oma6MF8XWac:xUVW55ZqTGY:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=Oma6MF8XWac:xUVW55ZqTGY:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=Oma6MF8XWac:xUVW55ZqTGY:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=Oma6MF8XWac:xUVW55ZqTGY:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=Oma6MF8XWac:xUVW55ZqTGY:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=Oma6MF8XWac:xUVW55ZqTGY:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=Oma6MF8XWac:xUVW55ZqTGY:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/indieWIRENews/~4/Oma6MF8XWac" height="1" width="1"/&gt;</description>
						<pubDate>Fri, 06 Nov 2009 18:48:37 +0000</pubDate>
		<feedburner:origLink>http://www.indiewire.com/article/cinemadaily_precious_polarizes/</feedburner:origLink></item>
		
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			<title>B.O. of the ‘00s: The Top Grossing Sundance Films</title>
						<link>http://fb.indiewire.com/~r/indieWIRENews/~3/NyxxQdMNMtY/</link>	
			<guid isPermaLink="false">http://www.indiewire.com/article/b.o._of_the_00s_the_top_grossing_sundance_films/</guid>
			<description>With the 2010s fast approaching - 55 days and counting - indieWIRE has decided to start a weekly Friday chart devoted to glancing back at the past ten years.&amp;nbsp; With a film opening that weekend as a starting point, we’ll be charting various sub-categories of 2000s film with regard to their box office.&amp;nbsp; This week, with Lee Daniels’s “Precious: Based on the novel ‘Push’ by Sapphire” opening in 18 theaters today, …&lt;div class="feedflare"&gt;
&lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=NyxxQdMNMtY:OFGjMOS3wUU:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=NyxxQdMNMtY:OFGjMOS3wUU:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=NyxxQdMNMtY:OFGjMOS3wUU:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=NyxxQdMNMtY:OFGjMOS3wUU:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=NyxxQdMNMtY:OFGjMOS3wUU:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=NyxxQdMNMtY:OFGjMOS3wUU:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=NyxxQdMNMtY:OFGjMOS3wUU:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/indieWIRENews/~4/NyxxQdMNMtY" height="1" width="1"/&gt;</description>
						<pubDate>Fri, 06 Nov 2009 16:12:31 +0000</pubDate>
		<feedburner:origLink>http://www.indiewire.com/article/b.o._of_the_00s_the_top_grossing_sundance_films/</feedburner:origLink></item>
		
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			<title>All Fall Down: Chris Smith’s “Collapse”</title>
						<link>http://fb.indiewire.com/~r/indieWIRENews/~3/haPdPCEqlmQ/</link>	
			<guid isPermaLink="false">http://www.indiewire.com/article/all_fall_down_chris_smiths_collapse/</guid>
			<description>At the turns of decades and centuries, it’s fairly common for sky-is-falling prognostication to spike wildly. This angst often finds expression in popular entertainments, such as the appearance, as if on cue, of the clunky misfire “Knowing” and the upcoming sure-to-be tedious “2012.”&amp;nbsp; What these kinds of spectacles provide is something like diversionary exorcism—the world outside may seem bad, but there’s some comfort in recognizing that visual effects artists can always …&lt;div class="feedflare"&gt;
&lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=haPdPCEqlmQ:BwDUvj0G-kA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=haPdPCEqlmQ:BwDUvj0G-kA:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=haPdPCEqlmQ:BwDUvj0G-kA:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=haPdPCEqlmQ:BwDUvj0G-kA:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=haPdPCEqlmQ:BwDUvj0G-kA:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=haPdPCEqlmQ:BwDUvj0G-kA:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=haPdPCEqlmQ:BwDUvj0G-kA:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
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						<pubDate>Fri, 06 Nov 2009 14:42:37 +0000</pubDate>
		<feedburner:origLink>http://www.indiewire.com/article/all_fall_down_chris_smiths_collapse/</feedburner:origLink></item>
		
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			<title>“Fish Tank” and “Woman” Share AFI Fest Top Prize</title>
						<link>http://fb.indiewire.com/~r/indieWIRENews/~3/-dZXFQf_mB4/</link>	
			<guid isPermaLink="false">http://www.indiewire.com/article/fish_tank_and_woman_share_afi_fest_top_prize/</guid>
			<description>Andrea Arnold’s “Fish Tank” and Javier Rebello’s “Woman Without Piano” are the joint winners of the AFI Fest New Lights Competition. The event hosted its awards ceremony Thursday night at the historic Roosevelt Hotel on Hollywood Blvd. following the closing night U.S. premiere of Tom Ford’s “A Single Man” at Grauman’s Chinese Theatre. The film’s stars including Colin Firth, Ginnifer Goodwin, Nicholas Hoult, Matthew Goode, and Ryan Simpkins attended the screening …&lt;div class="feedflare"&gt;
&lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=-dZXFQf_mB4:tySBvVTDtXE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=-dZXFQf_mB4:tySBvVTDtXE:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=-dZXFQf_mB4:tySBvVTDtXE:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=-dZXFQf_mB4:tySBvVTDtXE:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=-dZXFQf_mB4:tySBvVTDtXE:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=-dZXFQf_mB4:tySBvVTDtXE:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=-dZXFQf_mB4:tySBvVTDtXE:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
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						<pubDate>Fri, 06 Nov 2009 02:13:55 +0000</pubDate>
		<feedburner:origLink>http://www.indiewire.com/article/fish_tank_and_woman_share_afi_fest_top_prize/</feedburner:origLink></item>
		
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			<title>“The Cove” Leads Cinema Eye Honors Nominees</title>
						<link>http://fb.indiewire.com/~r/indieWIRENews/~3/mUkH5y99EjA/</link>	
			<guid isPermaLink="false">http://www.indiewire.com/article/the_cove_leads_cinema_eye_honors_nominees/</guid>
			<description>Louie Psihoyos’ “The Cove,” received a record-tying seven Cinema Eye Honors nominations today when they were announced at the Sheffield International Documentary Festival in the UK. The film - about dolphin hunts in Japan - won dozens of prizes on the festival circuit this year, include Sundance’s Audience Award. The Cinema Eye Honors followed suit handing “The Cove” nods for Production, Cinematography, Editing, Original Score, Debut Feature and the top prize, …&lt;div class="feedflare"&gt;
&lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=mUkH5y99EjA:Ht3Kk_LkyvM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=mUkH5y99EjA:Ht3Kk_LkyvM:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=mUkH5y99EjA:Ht3Kk_LkyvM:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=mUkH5y99EjA:Ht3Kk_LkyvM:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=mUkH5y99EjA:Ht3Kk_LkyvM:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=mUkH5y99EjA:Ht3Kk_LkyvM:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=mUkH5y99EjA:Ht3Kk_LkyvM:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/indieWIRENews/~4/mUkH5y99EjA" height="1" width="1"/&gt;</description>
						<pubDate>Thu, 05 Nov 2009 22:00:54 +0000</pubDate>
		<feedburner:origLink>http://www.indiewire.com/article/the_cove_leads_cinema_eye_honors_nominees/</feedburner:origLink></item>
		
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			<title>For Your Consideration: Assessing The Major Oscar Categories</title>
						<link>http://fb.indiewire.com/~r/indieWIRENews/~3/wOHpoe8504U/</link>	
			<guid isPermaLink="false">http://www.indiewire.com/article/for_your_consideration_assessing_the_major_oscar_categories/</guid>
			<description>What’s been a slow awards season build since Toronto and Venice kicked things off two months ago is about to become an accelerated horserace. With Fox Searchlight’s announcement yesterday that they were bumping up awards bait “Crazy Heart” for 2009 Oscar consideration, it’s reasonable to believe that the final piece of this year’s candidate roster is complete.&amp;nbsp; And while there are still a few major question marks remaining - namely Rob …&lt;div class="feedflare"&gt;
&lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=wOHpoe8504U:ynUD0gBWdR8:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=wOHpoe8504U:ynUD0gBWdR8:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=wOHpoe8504U:ynUD0gBWdR8:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=wOHpoe8504U:ynUD0gBWdR8:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=wOHpoe8504U:ynUD0gBWdR8:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=wOHpoe8504U:ynUD0gBWdR8:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=wOHpoe8504U:ynUD0gBWdR8:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/indieWIRENews/~4/wOHpoe8504U" height="1" width="1"/&gt;</description>
						<pubDate>Thu, 05 Nov 2009 19:47:10 +0000</pubDate>
		<feedburner:origLink>http://www.indiewire.com/article/for_your_consideration_assessing_the_major_oscar_categories/</feedburner:origLink></item>
		
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			<title>cinemadaily | Will US Audiences “Stare at Goats”?</title>
						<link>http://fb.indiewire.com/~r/indieWIRENews/~3/XlcPx5iFRwk/</link>	
			<guid isPermaLink="false">http://www.indiewire.com/article/cinemadaily_will_us_audiences_stare_at_goats/</guid>
			<description>Grant Heslov’s “The Men Who Stare at Goats” is the first of three chances for George Clooney to prove himself this November.&amp;nbsp; Clooney, who produced the film, stars as a US soldier, stationed in Kuwait, who attempts to win the war with mental combat.&amp;nbsp; Jeff Bridges plays the leader of this motley crew.&amp;nbsp; His character was, in fact, a peacenik who tried to change the world through “Kumbaya"s until he discovered …&lt;div class="feedflare"&gt;
&lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=XlcPx5iFRwk:CbbwjUdiHA0:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=XlcPx5iFRwk:CbbwjUdiHA0:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=XlcPx5iFRwk:CbbwjUdiHA0:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=XlcPx5iFRwk:CbbwjUdiHA0:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=XlcPx5iFRwk:CbbwjUdiHA0:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://fb.indiewire.com/~ff/indieWIRENews?a=XlcPx5iFRwk:CbbwjUdiHA0:gIN9vFwOqvQ"&gt;&lt;img src="http://feeds.feedburner.com/~ff/indieWIRENews?i=XlcPx5iFRwk:CbbwjUdiHA0:gIN9vFwOqvQ" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/indieWIRENews/~4/XlcPx5iFRwk" height="1" width="1"/&gt;</description>
						<pubDate>Thu, 05 Nov 2009 19:43:35 +0000</pubDate>
		<feedburner:origLink>http://www.indiewire.com/article/cinemadaily_will_us_audiences_stare_at_goats/</feedburner:origLink></item>

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