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		<title>&#8216;Ted Lasso&#8217; Season 4 Review: Jason Sudeikis&#8217; Cheery Coach Is Still Off His Game</title>
		<link>https://www.indiewire.com/criticism/shows/ted-lasso-season-4-review-1235208098/</link>
		
		<dc:creator><![CDATA[Ben Travers]]></dc:creator>
		<pubDate>Wed, 05 Aug 2026 07:00:00 +0000</pubDate>
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					<description><![CDATA[After three years off the air, Apple's feel-good hit returns to see how Coach Lasso's belief system fares with a women's soccer club — and if the wayward comedy can recover from a catastrophic third season.]]></description>
		
		
		
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		<title>Juliette Lewis Recalls Robert De Niro on Set of Scorsese&#8217;s &#8216;Cape Fear&#8217;: &#8216;He Had an Organ Player and Was Speaking in Tongues&#8217;</title>
		<link>https://www.indiewire.com/features/interviews/juliette-lewis-cape-fear-finale-robert-de-niro-scorsese-1235208568/</link>
		
		<dc:creator><![CDATA[Ryan Lattanzio]]></dc:creator>
		<pubDate>Tue, 04 Aug 2026 23:37:09 +0000</pubDate>
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		<category><![CDATA[Interviews | Celebrity Interviews & Insider Takes]]></category>
		<category><![CDATA[Cape Fear]]></category>
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					<description><![CDATA[Lewis looks back with IndieWire on her Oscar-nominated role in Martin Scorsese's 1991 thriller — and ponders what could be next for her role on the series.]]></description>
		
		
		
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		<title>How &#8216;The Diplomat&#8217; Supporting Stars Allison Janney and Bradley Whitford Stole the Show in Season 3</title>
		<link>https://www.indiewire.com/awards/consider-this/the-diplomat-allison-janney-bradley-whitford-emmy-interview-1235208041/</link>
		
		<dc:creator><![CDATA[Anne Thompson]]></dc:creator>
		<pubDate>Tue, 04 Aug 2026 19:30:00 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Consider This]]></category>
		<category><![CDATA[Allison Janney]]></category>
		<category><![CDATA[Bradley Whitford]]></category>
		<category><![CDATA[Emmys]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[The Diplomat]]></category>
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					<description><![CDATA[The two old friends take us inside the Amagansett episode, bloody oysters and all. And Whitford explains why he's about to shave his head. ]]></description>
		
		
		
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		<title>Will Gluck Just Wants to Make Movies About Relationships — Including the Wild Ones Like in &#8216;One Night Only&#8217;</title>
		<link>https://www.indiewire.com/features/interviews/one-night-only-will-gluck-interview-relationship-movies-1235208210/</link>
		
		<dc:creator><![CDATA[Kate Erbland]]></dc:creator>
		<pubDate>Tue, 04 Aug 2026 17:00:00 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Interviews | Celebrity Interviews & Insider Takes]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[One Night Only]]></category>
		<category><![CDATA[Will Gluck]]></category>
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					<description><![CDATA[As his high-concept "One Night Only" arrives, the director of "Easy A" and "Annie" tells IndieWire why his attraction to projects goes far beyond genre (and tries to answer some of our burning plot questions).]]></description>
		
		
		
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		<title>After Row K Collapse, Maude Apatow&#8217;s Directorial Debut &#8216;Poetic License&#8217; Finds a New Home</title>
		<link>https://www.indiewire.com/news/breaking-news/maude-apatow-poetic-license-release-1235208511/</link>
		
		<dc:creator><![CDATA[Kate Erbland]]></dc:creator>
		<pubDate>Tue, 04 Aug 2026 16:32:45 +0000</pubDate>
				<category><![CDATA[Breaking News]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Acquistions]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Maude Apatow]]></category>
		<category><![CDATA[Poetic License]]></category>
		<category><![CDATA[Row K]]></category>
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					<description><![CDATA[Sony Pictures Classics has purchased the charming first film after original distributor Row K faced massive financial setbacks.]]></description>
		
		
		
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		<title>Kent Jones and His Love of Actors Make &#8216;Late Fame&#8217; One of the Best Films of 2026</title>
		<link>https://www.indiewire.com/features/interviews/late-fame-director-kent-jones-interview-willem-dafoe-1235207994/</link>
		
		<dc:creator><![CDATA[Jim Hemphill]]></dc:creator>
		<pubDate>Tue, 04 Aug 2026 16:00:00 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Interviews | Celebrity Interviews & Insider Takes]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Kent Jones]]></category>
		<category><![CDATA[Late Fame]]></category>
		<category><![CDATA[Willem Dafoe]]></category>
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					<description><![CDATA[The archivist, critic, film festival programmer, and feature filmmaker tells IndieWire about his exquisite new dramedy, an adaptation of Arthur Schnitzler that gives Willem Dafoe one of the best roles of his career.]]></description>
		
		
		
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		<title>&#8216;La Bola Negra&#8217; Moves to October as Netflix Extends Theatrical Window for Oscar Hopeful to 47 Days</title>
		<link>https://www.indiewire.com/news/general-news/la-bola-negra-netflix-awards-season-release-date-1235201936/</link>
		
		<dc:creator><![CDATA[Ryan Lattanzio]]></dc:creator>
		<pubDate>Tue, 04 Aug 2026 14:30:00 +0000</pubDate>
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		<category><![CDATA[News]]></category>
		<category><![CDATA[Awards]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[La Bola Negra]]></category>
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					<description><![CDATA[Cannes Best Director winners Javier Calvo and Javier Ambrossi's Federico García Lorca-inspired epic will now open in theaters this October, streaming after a 47-day theatrical window.]]></description>
		
		
		
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		<title>&#8216;Godzilla Minus Zero&#8217; Will World Premiere at This Year&#8217;s New York Film Festival</title>
		<link>https://www.indiewire.com/news/festivals/godzilla-minus-zero-world-premiere-new-york-film-festival-1235208254/</link>
		
		<dc:creator><![CDATA[Christian Zilko]]></dc:creator>
		<pubDate>Tue, 04 Aug 2026 14:00:00 +0000</pubDate>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Godzilla Minus One]]></category>
		<category><![CDATA[NYFF]]></category>
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					<description><![CDATA[Takashi Yamazaki's kaiju sequel will serve as the Spotlight Gala selection at the 64th edition of the festival.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235208254</post-id>	</item>
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		<title>TIFF Adds More Than 60 New Titles, Including Festival Winners &#8216;La Gradiva&#8217; and &#8216;Ha-Chan, Shake Your Booty!&#8217;</title>
		<link>https://www.indiewire.com/news/festivals/tiff-2026-new-titles-centrepiece-wavelengths-1235208330/</link>
		
		<dc:creator><![CDATA[Kate Erbland]]></dc:creator>
		<pubDate>Tue, 04 Aug 2026 14:00:00 +0000</pubDate>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[TIFF]]></category>
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					<description><![CDATA[The festival today adds to its already massive slate new picks in the Centrepiece, Wavelengths, and Classics sections.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235208330</post-id>	</item>
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		<title>&#8216;The Frighteners&#8217; Turns 30: How Peter Jackson&#8217;s Lost Horror Movie Helped Build Wētā and Pave the Way for ‘Lord of the Rings’</title>
		<link>https://www.indiewire.com/features/interviews/the-frighteners-oral-history-peter-jackson-cult-movie-30-1235208228/</link>
		
		<dc:creator><![CDATA[Ryan Lattanzio]]></dc:creator>
		<pubDate>Tue, 04 Aug 2026 13:00:00 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Interviews | Celebrity Interviews & Insider Takes]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[oral history]]></category>
		<category><![CDATA[Peter Jackson]]></category>
		<category><![CDATA[The Frighteners]]></category>
		<category><![CDATA[Weta Digital]]></category>
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					<description><![CDATA[Peter Jackson, Richard Taylor, Jamie Selkirk, and more reflect on their first Hollywood film and the growth of Wētā: the challenges, the sense of survival, and the joy.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235208228</post-id>	</item>
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		<title>Honest Conversations About AI in Film Often Feel Impossible. IndieWire and Andreessen Horowitz, Cultural Leadership Fund Tackled the Challenge</title>
		<link>https://www.indiewire.com/news/events/indiewire-andreessen-horowitz-cannes-event-watch-1235207514/</link>
		
		<dc:creator><![CDATA[Christian Zilko]]></dc:creator>
		<pubDate>Mon, 03 Aug 2026 21:00:00 +0000</pubDate>
				<category><![CDATA[Events | Hollywood and Entertainment]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[American Pavilion]]></category>
		<category><![CDATA[Andreessen Horowitz Cultural Leadership Fund]]></category>
		<category><![CDATA[Cannes]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Future of Filmmaking]]></category>
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					<description><![CDATA[The "Music, Film &#38; the New Storytelling Stack — Co-Authoring What Comes Next" event at Cannes looked to the future without ignoring the importance of humans.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235207514</post-id>	</item>
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		<title>&#8216;Teenage Sex and Death at Camp Miasma&#8217; Review: Jane Schoenbrun&#8217;s Affectionate Ode to Slashers, Orgasms, and Gillian Anderson</title>
		<link>https://www.indiewire.com/criticism/movies/teenage-sex-and-death-at-camp-miasma-review-jane-schoenbrun-1235193695/</link>
		
		<dc:creator><![CDATA[Ryan Lattanzio]]></dc:creator>
		<pubDate>Mon, 03 Aug 2026 19:15:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Cannes]]></category>
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		<category><![CDATA[Jane Schoenbrun]]></category>
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					<description><![CDATA[The "I Saw the TV Glow" director's meta horror homage aims for the heart as much as the head, set off by the sparks of sapphic chemistry flying between Anderson and co-star Hannah Einbinder.]]></description>
		
		
		
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